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pop culture begins at American Pie, here’s a brief “Mickey” refresher: Basil, a dancer, choreographer, and actress, was well-known for choreographing rock videos and (speaking of innuendo) the Monkees’ 1968 movie Head. In a review at the time, Robert Christgau stoked the gossip, saying that Basil was “the only woman ever to offer to take it up the ass on Top 40 radio.” New York gay activist Jim Fouratt, who cofounded legendary eighties club Dancetaria, heard the same interpretation at the time: “The rumor spread like a prairie fire among my writer friends,” he told me. Were they just being cheeky? No matter, as the speculation (stoked, naturally, by the dirty collective mind of the Internet) has become a part of the song’s legend. Lyrics like, “So come on and give it to me / Any way you can / Any way you want to do it / I’ll take it like a man” have led to speculation that Basil wanted it served to her “like a man”: In other words, delivered Santorum-style. So it makes sense that we’ve had a three-decade-long boner for Toni Basil’s smash pop hit “Mickey,” which pom-pommed its way to the top of the charts back in 1982.Ī persistent rumor has run alongside the song in the decades since. See our previous piece, about the Red Hot Chili Peppers song “Under the Bridge,” here.įew things stoke the prurient imagination - or the loins - of America more than the classic cheerleader look: the midriff-bearing half-tops and peek-a-boo skirts surrounded by an aura of wink-wink, tongue-in-cheek innocence.
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This is the second entry in Vulture’s occasional series: Pop Culture Mysteries.